GALSWORTHY, John
The Forsyte Saga
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That was like her--she had no foresight, and never went to meet trouble. Still--who knew?--she might be right. It was ill going against a mother's instinct. It might be well to let the boy go on, if possible, till experience had given him some touchstone by which he could judge the values of that old tragedy; till love, jealousy, longing, had deepened his charity. All the same, one must take precautions--every precaution possible! And, long after Irene had left him, he lay awake turning over those precautions. He must write to Holly, telling her that Jon knew nothing as yet of family history. Holly was discreet, she would make sure of her husband, she would see to it! Jon could take the letter with him when he went to-morrow.
And so the day on which he had put the polish on his material estate died out with the chiming of the stable clock; and another began for Jolyon in the shadow of a spiritual disorder which could not be so rounded off and polished....
But Jon, whose room had once been his day nursery, lay awake too, the prey of a sensation disputed by those who have never known it, "love at first sight!" He had felt it beginning in him with the glint of those dark eyes gazing into his athwart the Juno--a conviction that this was his 'dream'; so that what followed had seemed to him at once natural and miraculous. Fleur! Her name alone was almost enough for one who was terribly susceptible to the charm of words. In a homoeopathic Age, when boys and girls were co-educated, and mixed up in early life till sex was almost abolished, Jon was singularly oldfashioned. His modern school took boys only, and his holidays had been spent at Robin Hill with boyfriends, or his parents alone. He had never, therefore, been inoculated against the germs of love by small doses of the poison. And now in the dark his temperature was mounting fast. He lay awake, featuring Fleur--as they called it-- recalling her words, especially that "Au revoir!" so soft and sprightly.
He was still so wide awake at dawn that he got up, slipped on tennis shoes, trousers, and a sweater, and in silence crept downstairs and out through the study window. It was just light; there was a smell of grass. 'Fleur!' he thought; 'Fleur!' It was mysteriously white out of doors, with nothing awake except the birds just beginning to chirp. 'I'll go down into the coppice,' he thought. He ran down through the fields, reached the pond just as the sun rose, and passed into the coppice. Bluebells carpeted the ground there; among the larch-trees there was mystery--the air, as it were, composed of that romantic quality. Jon sniffed its freshness, and stared at the bluebells in the sharpening light. Fleur! It rhymed with her! And she lived at Mapleduram--a jolly name, too, on the river somewhere. He could find it in the atlas presently. He would write to her. But would she answer? Oh! She must. She had said "Au revoir!" Not good-bye! What luck that she had dropped her handkerchief! He would never have known her but for that. And the more he thought of that handkerchief, the more amazing his luck seemed. Fleur! It certainly rhymed with her! Rhythm thronged his head; words jostled to be joined together; he was on the verge of a poem.
Jon remained in this condition for more than half an hour, then returned to the house, and getting a ladder, climbed in at his bedroom window out of sheer exhilaration. Then, remembering that the study window was open, he went down and shut it, first removing the ladder, so as to obliterate all traces of his feeling. The thing was too deep to be revealed to mortal soul-even-to his mother.
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A Modern Comedy
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To say that Soames preferred his house by the river when his wife was not there, would be a crude way of expressing a far from simple equation. He was glad to be still married to a handsome woman and very good housekeeper, who really could not help being French and twenty-five years younger than himself. But the fact was, that when she was away from him, he could see her good points so much better than when she was not. Though fond of mocking him in her French way, she had, he knew, lived into a certain regard for his comfort, and her own position as his wife. Affection? No, he did not suppose she had affection for him, but she liked her home, her bridge, her importance in the neighbourhood, and doing things about the house and garden. She was like a cat. And with money she was admirable--making it go further and buy more than most people. She was getting older, too, all the time, so that he had lost serious fear that she would overdo some friendship or other, and let him know it. That Prosper Profund business of six years ago, which had been such a squeak, had taught her discretion.
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The Skin Game
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[ROLF passes through the window, and retrieves the vanity bag from the floor where CHLOE dropped it, then again takes his stand against the Left lintel of the French window.]
ROLF. It's not going to make any difference, is it?
JILL. You know it is.
ROLF. Sins of the fathers.
JILL. Unto the third and fourth generations. What sin has my father committed?
ROLF. None, in a way; only, I've often told you I don't see why you should treat us as outsiders. We don't like it.
JILL. Well, you shouldn't be, then; I mean, he shouldn't be.
ROLF. Father's just as human as your father; he's wrapped up in us, and all his "getting on" is for us. Would you like to be treated as your mother treated Chloe? Your mother's set the stroke for the other big-wigs about here; nobody calls on Chloe. And why not? Why not? I think it's contemptible to bar people just because they're new, as you call it, and have to make their position instead of having it left them.
JILL. It's not because they're new, it's because--if your father behaved like a gentleman, he'd be treated like one.
ROLF. Would he? I don't believe it. My father's a very able man; he thinks he's entitled to have influence here. Well, everybody tries to keep him down. Oh! yes, they do. That makes him mad and more determined than ever to get his way. You ought to be just, Jill.
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