DITLEVSEN, Tove
Til mit døde Barn (To My Dead Child)
I never heard your little voice.
Your pale lips never smiled at me.
And the kick of your tiny feet
Is something I will never see.
We have been together many days,
all my sustenance I shared with you.
You and I can surely not be blamed,
for all our weakness, yours and mine.
Infant child, you now will never feel
the heady pulse of life for good or bad. –
’Tis for the best, sleep soundly darling boy,
for we must yield to those of greater strength.
See how I kiss your icy hand,
happy to be with you yet awhile,
silently I kiss you, weeping not, –
though the tears are burning in my throat.
When the men bring in the casket white,
you need not fear, for mother will come with you,
I will dress you in your tiny silken shirt
for the first time – and the very last.
I will make believe you lived some days,
I will pretend that you have smiled at me,
and your little mouth has suckled at my breast,
so not a single drop remains.
How heavy is the footfall of the casket-bearers,
to no avail my laden breast awaits you.
Infant child, my golden now dead dream. –
Your tiny feet I kiss – and weep.
There Lives a Young Girl
There lives a young girl in me who will not die,
she is no longer me, and I no longer her,
but she stares back when I look in the mirror,
searching for something she hopes to recover.
There is no one else in the world she can ask:
Where are the earnest smiles, the carefree dances?
Where are my dreams and the joy of twenty?
Tell me, have you made the most of my chances?
I try to catch that pale, shimmering gaze,
try to silence her questioning refrain,
and in the depths of my heart I hear a regret,
softly dripping like the sound of rain.
‘Your dreams were flimsy, child, and doomed to fail,
your innocence ruined by the truth you were told –
your budding hopes fell to the ground
the night reality invaded your soul.
‘You had a girl’s dream of a husband and baby,
and you got what you wanted but were still alone,
so you remained in childhood’s wondrous land,
while I am left roaming a world of stone.
‘It is by your sheer strength you have not died,
but live on somewhere as a faint likeness,
though I have sold your dreams for a roof and bread
and brought you pain I mistook for happiness.
‘And my only salvation is feeling your voice
as a surge in my heart’s languid beat –
you are my defence, my unrest and deepest comfort,
constant and true through time’s fickle retreat.’
There lives a young girl in me who cannot die
until I tire of believing I once was her.
She stares back when I look in the mirror,
searching for something she longs to recover.
When I Have Time
The woman upstairs
borrows a cup of flour
to strike up conversation.
She smells of whisky
she’s a widow
her son’s an addict.
Sure I say
while I worry.
He didn’t come
home last night
there’s someone else
I don’t know
whether we’ll split the bills
right away.
Her mouth
is open and wet.
The words fall
onto the floor
I stuff them
back in
without looking at them.
She’s unhappy
age takes its toll
it must be difficult
I say
and give her a gentle push
so the door will close.
Flour sprinkles
onto her faded
housecoat
a thread of blue silk
catches on her nail.
When I
have time
when things
fall into place
when I’ve had
a good night’s sleep
and donated to
Friends of the Elderly and
Save the Children
I’ll check in on
the woman upstairs
who no longer
needs flour
who no longer
makes gravy
and bakes white bread
who needs someone
who is happy
and has plenty of time.
Twinkling lights
In childhood’s long night, both dim and dark
there are small twinkling lights that burn bright
like traces memory’s left there as sparks
while the heart freezes so and takes flight.
It’s here that your pathless love shines clear,
once lost in nights misty and chill,
and all that you’ve since loved and suffered most dear
has boundaries set by the will.
The first-felt sorrow’s a frail, thin light
like a tear that quivers in space;
that sorrow alone your heart will hold tight
when all others time has effaced.
High as a star on a night as in spring
your childhood’s first happiness burns,
you sought for it later, only to cling
to late-summer shadow’s swift turns.
Your faith you took with you to great extremes,
the first and the last to your cost,
in the dark now somewhere it surely gleams,
and there is no more to be lost.
And someone or other draws near to you but
will never quite manage to know you,
for beneath those small lights your life has been put,
since when everyone must forego you.
Marriage
In re-remembered passion,
roused by a reminder of other embraces,
a distant contact with a cool skin,
the dreaming profile of an unknown woman
against the city’s neon lights –
or perhaps:
at the sight of a young soldier in the train
with bright eyes, in whose calm he saw
a quite simple mind reflect his own
and fling it back undigested,
with all its mysterious maturity –
his senses turn searchingly towards me,
veiled by a dark urge to deceive.
And I, who completely inhabit this house,
fertilise the dust with a frail thought
of own life, and daily kneel,
lost in vague prayers, at the yellow-enamelled
and silent fidelity of a bucket –
covertly consider his secret face,
suddenly naked, almost defenceless
as when nature reconquers deserted gardens:
just a glimpse of an irascible tenderness,
stunted, secretly extorted a legal
death of love for no obvious reason.
I see it go away, and recall other caresses
of nameless sweetness, possibly his once,
but never more arousing my desire
in other than the memory, never more.
Without words we deny, vindictively, alone,
each other’s capacity to rouse sensual desire.
Once
Once:
a room
a typewriter
a job
an alarm clock
a loneliness
a hope.
Now:
an apartment
a summerhouse
things
a husband
three children
status
friend
lover
housekeeper
neglected
graves
hairdresser
psychiatrist
money
complication
lack of
joy.
Good things come
to those who wait
my mother said
longing and
understanding
came to her
too late.
She died in
the nursing home
knowing
no one.
People misunderstand
each other for
the most part.
She had
beautiful hands.
Unnoticed
life slipped away.