HOLUB, Miroslav
    
      
    
      
    
      
    The Door
    
      
    
      
    Go and open the door.
  
Maybe outside there’s
a tree, or a wood,
a garden,
or a magic city.
    
      
    Go and open the door.
  
Maybe a dog’s rummaging.
Maybe you’ll see a face,
or an eye,
or the picture
of a picture.
    
      
    Go and open the door.
  
If there’s a fog
it will clear.
    
      
    Go and open the door.
  
Even if there’s only
the darkness ticking,
even if there’s only
the hollow wind,
even if
nothing
is there,
go and open the door.
    
      
    At least
  
there’ll be
a draught.
    
      
    
      
    Creative Writing 
  
  
    
      
    On the express train to Vienna
  
she writes in her diary
notes about Rome and Naples.
    
      
    Ink marks like parthenogenetic aphids,
  
pages like blood smears
of homing pigeons.
    
      
    She is alone, gray, reconciled,
  
a Leda long after the swan's departure,
Odysseus retired at Lotophagitis.
    
      
    Back home, in Maryland,
  
the notebook will be interred
in the archetypal drawer,
    
      
    among the yellowed love letters,
  
among the infant hair curls,
among the dried adult flowers,
    
      
    near the cushion where the castrated cat dreams
  
while Mahler's forever forever forever
chokes in the green wallpaper.
    
      
    It is her message to imagined little sons;
  
it is her membership in the club
of Swifts, Goethes, Rimbauds, Horatiuses and
deathwatch beetles.
    
      
    It is her monument outlasting bronze,
  
five-dimensional reality, the last engraving
of primeval man on reindeer bone,
    
      
    the last drop
  
of the fluid soul
before evaporation.
    
      
    Translated by Rebekah Bloyd